Valletta: the capital of many cultures (so far)

A tribute to my favourite city
~ 10 minute read

Living in Valletta: a permanent surprise

A man reading in his car outside his garage on a Saturday afternoon

When I moved to Valletta five years ago, one of my greatest surprises was seeing that particular face expression each time I told somebody where I was living. “Valletta?” – they cried, turning their face into a display of disbelief and frustration – “but why?!” It was then my turn to be surprised and reply “Why not?”, only to learn that the problem was “those-ħamalli-hostile-to-every-stranger-and-whom-everyone-in-their-right-mind-avoids“, or, in brief, the stereotyped residents of Valletta. I usually replied by admitting that I had not noticed anything outrageous about my Valletta neighbours, compared to my previous neighbours in Msida and Gzira, and used to receive a skeptic look, followed by a short yet affirming “not yet”.

Although so much has changed in five years, ironically, the expression of surprise accompanying the question “Do you live in Valletta?” remains, but of a different kind. The alarmed look has now been replaced by a brow-raising suspicion of my riches. The most frequent question now is “How can you afford it?” This curiosity is easily understood: at this point in time, the monthly rent for a basic two-bedroom property is no less than €700, whilst more fashionably furnished properties cost between €1000 and €2300 (!) per month.

What’s happened? How has the capital so closely associated with “slums”, “criminals” and “ħamalli”  become trendy and barely affordable for an average earner within just a couple of years? One way to answer this question is simply the effect of gentrification brought on by handsome property investment prospects as part the European Capital of Culture 2018. However, the side effect of the approaching V18 is only part of a bigger picture. In fact, rather than being smoothly revamped into a “capital of culture”, Valletta 2017 has become much more of a battleground between antagonistic cultures and the winner is the one which promises highest profits.

What is Culture?

Symbolic funeral and mocking of the rival football clubs held by the fans of Valletta FC, champions of 2015-2016

The rapid transformation of Valletta is a source of many disputes. Some argue that Valletta is far more charming in a crumbling state, whilst others say that a facelift is necessary due to the hosting of the European capital of culture. One way or another, the ultimate majority of discussions about the future image of Valletta focus exclusively on the visual aspects of its facades and omit the stories of human relationships hidden behind them.

To start with, there is no universal definition of culture. In fact, the two most frequently referenced definitions contradict one another. According to one of them, culture is “a moral and aesthetic ideal, which found expression in art and literature and music and philosophy”. This definition is attributed to Matthew Arnold and his work “Culture and Anarchy”. The other author, Edward Burnett Tylor, suggested that culture is “that complex whole which includes knowledge, belief, arts, morals, law, customs, and any other capabilities and habits acquired by man as a member of society”.

The fate of Valletta depends on which kind of culture it is going to be a capital of. Is it the culture limited to prestigious entertainment or is it the culture of everyday life experiences which bring the place and the people into a tangible bond? Is it the culture which only sees Malta’s capital as a gourmet backdrop for trendy performances or is it the culture which can be experienced only by becoming part of its daily fabric?

Valletta as two cities

I always thought that every place owns its unique spirit to the indissoluble relationship between its architecture and its people. However, soon after having become a part of Valletta myself, I began to realise that, in the eyes of the public, Valletta was two distinct things: one – a marvel of Baroque architecture and the other – a swamp. One – to be admired, the other – to be disdained and vilified. One – its facades and the other – its 3rd class residents.

I learned that Valletta was severely bombed during World War II and the majority of its A-list residents fled to safer places. Countless times the elegant ladies and gentlemen shrugged, spreading their hands to indicate disapproval and telling me “Valletta was a city built by gentlemen, for gentlemen … and look what it is now!”

The tragedy of this immensely charming city is that Valletta’s architecture and Valletta’s residents are not recognised as one coherent whole. Sadly, in the eyes of respectable citizens and heritage guards such Din L-Art Helwa, the residents and the architecture belong to different dimensions and worth of contrasting treatment. The residents, often stereotyped as primitive boors, leeches depleting the social welfare or criminals, are presumed undeserving of the places they inhabit, in which every stone tells a story of its past noble magnificence.

When an attempt at snobbery results in a total failure

The Maltese gentry, for whom culture and Baroque are interchangeable terms, goes at lengths to emphasize that the city built by their forefathers still belongs to them and it should be reserved for worshiping high culture. They denounce anything unfitting of Valletta’s noble image. The Monti, pastizzi shops, clothes lines – everything inseparable from the daily lives of many of Valletta’s residents – is classified as desperately brutish, plebeian and culture-lacking. The social housing units of Mandragg and lower Valletta fall into the same “shameful eyesore” category.

Hipster Valletta: regeneration with a taste for venerating poverty?

The neighbourhood of Tico-Tico in Strait Street

Unfortunately, the nation-wide pride of its architecture did not protect “the city built by gentlemen” from decades of neglect. In his renowned photographic essay “Vanishing Valletta”, David Pisani documented the crumbling abandoned buildings which neither “gentlemen” nor the government rushed to restore. The most beautiful facades were not deemed worthy of care until a few years ago, when shabby suddenly became the new chic. New bars on Strait Street and lower Valletta (former red light districts) were injected with a new vibe. However, these trendy outlets rely mainly on the fashionable hipster crowd who visit Valletta for a sip of “authentic experience”.

Valletta in a nutshell by Nadine Noko (published in the issue 5 of Patron Magazine)

The hipster crave for “authenticity” deserves a special mention. Unlike the conservative baroque-worshipping gentry, the predominantly young creative middle class is not repelled by shabby walls and laundry lines. On the contrary, the youth unfamiliar with the realities of true undignified poverty sees dilapidated spaces as aesthetically pleasing and “cool”. Thus, to the hipster culture, Valletta’s crumbling facades are a splendid backdrop for a trendy party.

The hipster culture does not seek a deeper relationship with the city because its interests do not go beyond the aesthetics of the facades. This way of experiencing the city also deprives its residents of their humanity as it folklorises them into exotic creatures. The condescending acceptance of embarrassingly styleless specimen best manifested itself in a LovinMalta’s article: with a touch of sentimental sadness, it waved good-bye to the Triton Fountain kiosks, classifying them as amusing, yet unfitting to the upscale image a European Capital of Culture is expected to flaunt.

The contrast between the outspoken poverty of a few Valletta’s neighbourhoods and the trendy entertainment culture thriving on romanticising this poverty is stark. Hipster’s willingness to hang around dilapidated spaces sets a precedent for opening of more bars designed to suite a particular taste. While Tico-Tico, Café Society and the Gut physically belong to Valletta, they remain an isolated bubble which overlooks the life of the local community.

However, my skepticism towards the hipster attitude to Valletta does not extend to criticising all of the younger vibes. On the contrary, Valletta’s population is ageing, which means that many more houses will become vacant in the near future. Will these houses be reborn as homes or will they turn into outlets whose only contribution to Valletta’s life is commerce?

Boutique hotels for the tasteful caste

SU29  luxury boutique hotel (suites available at €135 to €325 per night) and its neighbour, a regular Valletta house in St. Ursula Street

The handsome profitable prospects brought by the European Capital of Culture have turned Valletta into a goldmine and a battleground between various interests at once. After the decades of neglect and distant worship, the vacant houses and residential properties discovered a new meaning of existence – that of a boutique hotel.

It is easy to lose count of the permit applications for boutique accommodation popping up practically around every corner.

The only house which (so far) miraculously avoided being converted into a boutique hotel

With no exaggeration, there soon will be more boutique hotels than residents in Valletta: exclusive accommodations such as Ursulino, Casa Ellul, SU29 and Palazzo Consiglia are now competing for distinguished clientele with La Falconeria, De Vilhena, Valletta Boutique Living, Valletta Vintage and a dozen more boutique hotels-to-be at Republic, St. Paul’s, St. Christopher, St. Ursula, St. Barbara, Old Theatre, Old Bakery Streets and Valletta’s old fish market Pixkerija. Barbara Bastions can now be safely renamed into Boutique bastions since only a couple of houses in that location are not being converted into exclusive accommodation of some kind.

The construction works were criticised by the local council as “the worst siege ever” and slammed by the residents, the heritage organizations and the intelligentsia alike – albeit for contrasting reasons. Whereas the residents have to endure the non-stop sounds of drilling, the cranes above their roofs and the clouds of dust, the reasons for critique from the heritage activists and the creative class are not as straight-forward. It is not the appropriation of residential houses into boutique hotels that the “baroque or nothing” heritage activists protest, but the obscure appropriators whose cultural unawareness and opportunism are enough to infuriate the gentry. The creative crowd predictably protests the visual aspects of the developments: the cranes distorting the skyline, the disappearance of venerated shabbiness and the heavy presence of scruffy workers, so unpleasant to the aesthetically sensitive taste.

On the other hand, the ever-growing number of boutique accommodations provides a perfect opportunity for implementing interior designer skills and entrepreneurial ambitions – the traits highly respected by the tasteful critics. Thus, once the cranes, the trucks and the workers are gone leaving behind a new deliciously designed hotel, the critique is immediately replaced by ovations and excitement at the prospects of welcoming the esteemed guests. Gentrification of Valletta is not only barely spoken about but is openly celebrated. Same is true about the Three Cities – Senglea, Cospicua and Birgu.

Valletta Vintage exclusive accommodation offers rooms with a view

It certainly is positive that the buildings of such beauty and history are being restored, yet it is equally sad that the restoration of these buildings is deemed worthy only if it promises solid investment rewards. Besides, the “boutiquefication” of Valletta reduces the residents and the everyday life to a decorative view from a holiday room.

The Capital of Whose Culture?

Valletta 2018 – the only protagonist of culture?

Another unsubtle declaration of what kind of culture is to be respected came from the artistic director of Teatru Malta, Sean Buhagiar. A few months back, when snap elections were not on the horizon, he urged the Prime Minister to abstain from disturbing the “culture” with such an uncreative event as general elections. Sadly, this point of view is shared by the various creative professionals – artists, designers, performers – to whom Valletta 2018 is, first and foremost, an opportunity to impress an eminent international audience with the presumably high degree of creativity .

The employment and career opportunities offered to a broad category of professionals by Valletta 2018 are certainly among its positive aspects, yet the statements like those said by Sean Buhagiar are indeed irritating, because they refuse to acknowledge any other definition of culture except from artistic performances which he and his colleagues play an imperative role in. Indeed, the demand for sophisticated entertainment is at the core of the middle- and upper-class cultural habits yet culture, in its broad sense, is not equivalent to the consumption of concerts, performances and exhibitions.

Sincerely, I have lost count of various Valletta-related arguments to disagree with.

I disagree with sentimental conservationists who morn the Valletta of crumbling facades and regard it as far more dignified than Valletta restored. While shabbiness might appear particularly spiritual to spectators, to many residents it simply signifies poverty and the inability to carry out restoration works on their own.

I disagree that the only way to restore Valletta is to convert it into a host of exclusive guest houses for the privileged caste, trendy bars and luxurious shopping outlets. The Valletta of boutique hotels would be hollow and soulless. The void of community spirit, which makes every city so unlike any other, would be replaced by temporary visitors who don’t have a profound relationship with the city. It would turn locals and their households into somebody’s room with a view. Yet, how can Valletta resurrect as a city with its own vibrant community life, if properties here are out of reach for the majority of the Maltese population?

Finally, I disagree with reducing Valletta to a backdrop for upmarket entertainment and tasteful consumption wrapped into “the European Capital of Culture 2018” package. As any other place, Valletta does not lack culture of its own. On the contrary, it has plenty of it – the little mundane rituals of “hello” and “how are you”, the feasts, the relationships between the people whom Valletta comforts and makes feel at home. Unlike the pre-packaged commodified experiences offered by hipster culture and Valleta 2018, the culture of daily participation cannot be exhibited at a museum or performed on stage – it cannot be experienced in any way other than becoming a part of its fabric. Too bad this kind of culture does not offer profitable returns and hence is not held in high regard.

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P.S. The culture of everyday life

What bubble of Maltese society do you belong to?

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This is a non-serious yet quite realistic scope of Maltese society. Choose the bubble that ticks most boxes for you and read the description at the bottom of the page :). Please remember to laugh and not to take it all seriously.

Oo. Bubble 1 .oO

Political party: Labour/Nationalist.

Religion: Believer.

Interests: cars, family, fashion, local TV programmes, feast and other loud events, pop-music (preferably loud)

Attitude to immigrants/refugees: send them home!

Do you like Valletta City Gate project? Le ta.

How accepting you are of new bubble members? Jien naf!

Places to hang out: social media, bars, Paceville, Café del Mar.

How you see other bubbles: Mhux Maltin ta veru!

How other bubbles see you: try not to have much in common.

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Oo. Bubble 2 .oO

Political party: Nationalist.

Religion: Agnostic/Believer

Interests: international politics, British/French literature, travels, fine dining (basically, everything what excludes interests of bubble 1).

Attitude to immigrants/refugees: not so much in favour but you keep it to yourself

Do you like Valletta City Gate project? Yes, about time we get a fine example of contemporary architecture.

How accepting you are of new bubble members? Only if they are born in the same bubble.

Places to hang out: art events, receptions, boutique launches, fine restaurants.

How you see other bubbles: plebs and peasants.

How other bubbles see you: uppers class snobs.

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Oo. Bubble 3 .oO

Political party: floating voter/Alternattiva Democratica

Religion: Never!

Interests: blaming religion for all world’s disasters, astronomy, non-fiction or comic books, action movies or true stories, vintage rock music (all wrapped in “Science will save the world!”).

Attitude to immigrants/refugees: Generally favourable. If not, you still pretend it’s favourable.

Do you like Valletta City Gate project? Never, it is ugly!

How accepting you are of new bubble members? If they are ready to bitch about church, they are very welcome!

Places to hang out: mostly in front of PC, trying to solve world’s problems by arguing with idiots on social networks.

How you see other bubbles: morons!

How other bubbles see you: with caution.

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Oo. Bubble 4 .oO

Political party: Alternattiva Democratica

Religion: Not particularly but Buddha sounds like a nice guy.

Interests: Environment, human rights, green politics, organic/vegetarian/vegan food, meditation, a joint once in a while.

Attitude to immigrants/refugees: Very favourable! The world is one and we need to help less fortunate ones!

Do you like Valletta City Gate project? Generally yes, but we need more open and green spaces.

How accepting you are of new bubble members? They are welcome; we need more like-minders.

Places to hang out: Gugar, Juuls, Happy Days, reggae parties, indie film, literature and ethnic festivals.

How you see other bubbles: ignorant plebs and slaves of capitalism.

How other bubbles see you: annoying hippies.

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Oo. Bubble 5 .oO

Political party: Alternattiva Democratica

Religion: No.

Interests: Visual and performance art, architecture, arthouse films, smart TV series, personally styled clothes, geek books and other stuff that makes no sense to other bubbles.

Attitude to immigrants/refugees: Favourable.

Do you like Valletta City Gate project? Very much so.

How accepting you are of new bubble members? Generally accepting but let’s keep the number low: we feel more special being a minority.

Places to hang out: Gugar, St. James Cavalier, Blitz, I’Ingliz bar, indie film, literature and ethnic festivals.

How you see other bubbles: uncultured shallow plebs with no sense of aesthetics.

How other bubbles see you: deny your existence.

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Oo. Bubble 6 .oO

Political party: Liberal something.

Religion: No, but Krishna sounds cool.

Interests: LIFE! Good music, good entertainment, good company, diving, climbing, adventures.

Attitude to immigrants/refugees: Favourable.

Do you like Valletta City Gate project? Yeah, nice.

How accepting you are of new bubble members? Our bubble sustains on new members.

Places to hang out: St. Julians, Paceville, boat parties, Café del Mar, live music concerts.

How you see other bubbles: know nothing about them. If they aren’t with us, they must be boring.

How other bubbles see you: unaware of your existence.

 

Bubble 1:

Congratulations! You belong to the most numerous bubble of “Typical Maltese” (or a “Typical Gozitan”) whatever it means :). Your preferences are main-stream to the bone. Regardless of your educational level, you care little about such useless things as classic literature, philosophy, art and other cultural aspects (or, in short, areas that are not connected to your money-earning routine).

Bubble 2:

Congratulations! You are so-called “Tal-pepe”, a well-mannered individual, familiar with dining etiquette, often mistaken for a snob. You strive not to mix with Bubble 1 and even speak Maltese with English accent to scare them off. With your good education, good taste and style, family traditions and high status, you make sure others understand they can’t imagine they are your equal.

Bubble 3:

Congratulations! Most likely, you are a member of Malta Humanist Association. You see yourself as hope and future of the Maltese nation. With all your devotion to humanism, science and politics you lack awareness and appreciation of art in all its forms and ways. If something is not linked to Dawkins, Hitchens, Sagan or another scientific dude, then it’s worthless rubbish (exception made for superheroes, they are cool!).

Bubble 4:

Congratulations! You are an environmental activist. Your bubble is pretty much international. You are a politically aware, thinking and socially responsible individual which hopes (and works for) to make the world a better and fairer place. Most likely, you are a member of an environmental NGO. Others see you as a weirdo and a dreamer, and for that reason you have no other choice but to stick to your bubble.

Bubble 5:

Congratulations! Together with bubble 4, you belong to the minority of thoughtful individuals. You are artistic or have a deep appreciation and understanding of art (also, you might have none of these but just want to hang around cool people). You and other bubble members are not so easily approachable what makes it rather difficult to penetrate into your bubble.

Bubble 6:

Congratulations! Most likely, you are a foreigner or a rare example of Maltese who do not keep to bubbles, do not care for ideology and do not hold to roots. You live somewhere around Sliema/St. Julians/Gzira/Msida, love life, dedicate some time (but not a lot) to thinking and ready to leave Malta in a minute if a better opportunity crops up.

Didn’t find your bubble in this scope? Define it yourself 🙂